Introduction
This page covers two small, distinctly literary constructions that share a family resemblance: both let you pile up or spotlight information in a way that ordinary sentence order doesn't easily allow, and both carry a slightly exasperated, wondering, or overwhelmed tone.
"What with the rain, the traffic, and a flat tire, we arrived two hours late" packs several contributing causes into one compact opening. "How he manages it, I really don't know" takes an entire question and moves it to the front of the sentence, purely so the speaker's bewilderment about it can land with more weight. Neither structure is common in plain, neutral writing — both belong to that slightly performative register where a speaker wants their reaction to a pile-up of circumstances, or their genuine puzzlement, to be felt as much as understood.
The Core Forms
Pattern 1 — "What with" + noun phrase(s) — cumulative cause
What with the kids, work, and the renovation, I haven't had a moment to myself all month.
What with one thing and another, I never got around to calling her back. (a fixed, common phrase for an unspecified pile-up of small reasons)
"What with" can also introduce a gerund phrase, complete with its own subject:
Pattern 2 — Fronted wh-clause + comment on not knowing/understanding
Why she said that, nobody can explain.
What he sees in that job, I can't imagine.
Where they found the money for all this, I have no idea.
The Real Rule: Why This Doesn't Generalize
"What with" is followed by noun phrases or gerund phrases, never by a full independent clause with its own finite verb standing alone. "What with it rained all week" doesn't work; you need either a simple noun phrase ("what with the rain") or a gerund construction ("what with it raining all week").
"What with" almost always builds toward a negative, inconvenient, or at least mildly chaotic outcome. It's not a neutral way to list reasons for something pleasant — using it for a happy result ("What with the sunshine and the good company, it was a perfect day") is possible but noticeably rarer and can sound slightly odd, because the phrase carries a built-in expectation of things piling up against you, not in your favor.
The fronted wh-clause in Pattern 2 keeps completely ordinary, non-inverted word order internally — it's built exactly like an indirect question, just moved to the front of the sentence for emphasis. "How does he manage it, I don't know" wrongly keeps the inversion that only belongs in a direct question; once it's functioning as an embedded clause here, that inversion has to disappear: "How he manages it, I don't know."
Pattern 2 needs a short comment clause specifically expressing ignorance, bewilderment, or inability to explain — I don't know, I have no idea, nobody knows, I can't imagine, is beyond me, nobody can explain. Swapping in an ordinary factual comment breaks the whole effect: "How he manages it, he is very organized" doesn't fit the pattern at all, because the second clause isn't expressing any uncertainty about the first.
Both patterns are almost entirely fronting/positioning devices — removing the fronting and reordering the sentence in the ordinary way ("I don't know how he manages it") produces a perfectly normal, grammatical sentence with the same basic meaning; what's lost is only the emphasis and slightly rhetorical flavor that fronting adds.
Common Errors
Error 1 — Following "what with" with a bare finite clause.
✓ What with it raining the whole week, the festival was cancelled. (or: What with the rain all week...)
Error 2 — Keeping subject-auxiliary inversion in the fronted wh-clause.
✓ How she does it, I'll never understand.
Error 3 — Pairing the fronted wh-clause with a comment that isn't about ignorance or bewilderment.
✓ He left early because he had an important appointment. (state the explanation in plain order instead)
Error 4 — Using "what with" for a single, isolated cause.
Error 5 — Treating "what with one thing and another" as a variable phrase.
✓ What with one thing and another... (completely fixed)
Register and Usage
Both patterns sit in a similar space: informal-to-neutral spoken English and lively, conversational written English (personal essays, narrative journalism, informal storytelling), rather than strictly formal registers like legal writing or academic prose. "What with" turns up constantly in spoken excuses and explanations for why something didn't go as planned. The fronted wh-clause pattern has a slightly more literary, reflective flavor — you'll meet it in personal narrative and thoughtful commentary more than in casual small talk, though it's understood everywhere.
Don't Confuse This With: Ordinary Indirect Questions
Pattern 2 is not a new grammatical structure in its own right — it's built entirely out of the ordinary indirect question you may already know, just moved to the front of the sentence. "I don't know how he manages it" and "How he manages it, I don't know" describe exactly the same underlying fact; the second version simply spotlights the question itself before delivering the speaker's reaction to it. If you can already build a correct indirect question, you already have everything you need for this pattern — the only new skill here is choosing to front it for effect.
Exercises
Exercise 1 — Transformation
Rewrite each sentence using the pattern indicated in brackets.
Exercise 2 — Error Correction
Each sentence contains one mistake. Find it and type the sentence correctly.
Exercise 3 — Multiple Choice
1. Choose the correctly formed sentence.
2. Choose the sentence that correctly fronts the wh-clause without keeping direct-question word order.
3. Choose the sentence that correctly completes the fronted wh-clause pattern with a genuine expression of not knowing.
4. Choose the correctly formed fixed idiom.
5. Choose the sentence where "what with" is used most naturally, given its typical function.
6. Choose the correctly formed sentence.
Exercise 4 — Key Word Transformation
Complete the second sentence so that it means the same as the first, using the key word given. The key word must not be changed in any way. Use between three and eight words, including the key word.